督工说的好，第二次世界大战是一场混合制的战争。既包括民族国家反侵略的反法西斯战争，又是帝国主义之间分赃不均狗咬狗的战争

所以说苟到最后又有什么用呢，还不是比基尼做兄弟

小鬼子的国运一如长门那危楼重塔的舰桥一样，风中浮萍，老二不好当

可我们既成了老二，便是退无可退，对赌国运了

名舰长门的历史就不在此班门弄斧了，这里谈一谈造型和涂装的心得

涂装方面，选取的是1941年开战时的状态，这一时期舰体的保养良好，还没有进行后期防空武器和电子设备的改装，整体的造型简洁，整体的色调以暗灰色为主，仅有少量的天幕和沙包以白色点缀其间，舰船的杂物并没有像战争后期破坏整体色调

个人认为ijn舰船涂装的难点之一，就是在暗灰色调的基调下，如何做出微妙的色彩变化（舰体装甲板的色差，海洋生物以绿色调和灰色调影响舰体下部，光源自上而下由亮及暗的变化，天光以蓝色倾向影响舰体），一些ijn作品过于强调锈蚀，水痕，其实破坏外立面色调的整体性

这次涂装除了在传统的预置阴影技法以外，借用了部分cm的观念，做出了自上而下的光源变化，在国外大神那学习到了一种油画颜料的渐变滤镜，用纸板吸收了油画颜料部分的油脂，以近乎干扫的方式 改变每块装甲板的色彩倾向，不过遗憾的是制作的时候没有经常的远观，整体来看，色彩还是有些突兀，

舰体的造型方面，没有挑战1944年的状态，这一时期造型的造型凌乱，堆砌过多杂物，相当影响整体的色调，想要同时统一色调和作出色彩变化是比较困难，（木箱油粘布，天幕舰体船体，都是不同色调和色彩倾向的物品）

1941年的状态就相对简洁,同时具有危楼重塔的美感和统一的造型与色调。

张线的制作由于经验不足并没有全部做出纵向的张线，还是很遗憾的。希望下次有机会补足吧

nagato

The history of the ship captain door is not here to teach people to swim, here to talk about modeling and coating experience

Coating, the selection is a state of war, 1941, hull maintain good, this period is not late for anti-aircraft weapons and electronic equipment, overall modelling concise, whole is tonal give priority to with dark gray, with only a small amount of awning and sandbags with white adorns meantime, ship stuff didn't like the late war destroy whole is tonal

Personally think ijn ship one of the difficult points of coating, which is under the dark grey color fundamental key, how to make subtle color changes (hull plates of off color, sea creatures with this green gray tone influence the hull bottom, light from top to bottom by the change of the bright and dark, the skylight tend to affect the hull in blue), some ijn works too much emphasis on corrosion, water mark, In fact, destroy the integrity of the facade tone

This painting except shadow technique in traditional preset, borrowed from the part of the concept of cm, made a top-down light changes, great spirit that study abroad to a gradient filter, oil paints with cardboard absorbed oil paints part of grease, with an almost dry of the way Change the color of each plate, However, it is a pity that we did not often have a distant view during the production. Overall, the color is still a little abrupt.

In terms of the shape of the hull, it did not challenge the status of 1944. During this period, the shape of the hull was messy and piled up with too many sundry things, which greatly affected the overall tone. It was difficult to unify the tone and make color changes at the same time (wooden box oil viscose cloth, canopy hull and hull were all items with different tone and color tendency).

The state in 1941 is relatively simple, with the aesthetic feeling of dangerous buildings and heavy towers as well as the unified shape and tone.

It's a pity that we haven't made all the longitudinal lines due to lack of experience. I hope I have a chance to make it up next time

公众号除却分享本人的原创涂装作品，也开设了国内外模友佳作欣赏栏目，有意的读者可将作品与文字描述发送至

优秀的作品我会帮助制作展示视频发布

我的苔藓效果实验，废弃的铁路运载车，切割迷彩涂装，机油渗漏效果，金属蚀刻片制作的藤蔓植物

我的新废土架空设定 航空器 战后由拾荒者搜寻废弃的军用发动机零部件组装而成

紫色渐变生物涂装设定，竹谷隆之原型，突兀肿胀的脑部与干枯的躯体做了颜色上的区分，脑部高光处留白，凸显富含水分的形体