李方雪
1968 出生于贵州都匀
1986 毕业于贵州省艺术学校（现贵州大学贵州艺术学院）
1992 就读于四川美术学院
现居重庆，重庆美术家协会会员，重庆油画学会会员，中国当代女子画会会员
Li Fangxue
1968 Born in Duyun, Guizhou
1986 Graduated from Guizhou Art School (now Guizhou Art College of Guizhou University)
1992 Studied at Sichuan Academy of Fine Arts
Currently lives in Chongqing, member of Chongqing Artists Association, member of Chongqing Oil Painting Society, member of China Contemporary Women's Painting Association
云舒夏至 布面油画 2020
Yunshu Summer Solstice
Oil on canvas
80x80cm
读方雪油画作品
从东方的视角看去，方雪女士非花非雾的作品隐约着花雾的意味。从西方的视角看来，方雪女士的作品充满着流畅的笔触犀利的色彩。由线条和色彩唤起非花非雾的感觉，疑似东西方情愫的混搭。这种混搭的状态，不知是否这个时代普世的审美。
女人如花，情怀若雾。妖娆迷蒙，非是间、别样的内心深处的感知跃然布上，成就为方雪女士的这部分作品。
方雪女士作品采西画技法之石，手稿溢漏出中国水墨之意。潜意识下血脉里流淌的仍饱含着东方文化的基因。勿论东方西方，油画也只是艺术的一种形式而远非艺术。成熟的油画家具备了造型的准确、技法的娴熟尔后将内心的感受直达画面始成其艺术家。
Reading Fang Xue's Oil Paintings
From a Eastern perspective, Ms. Fang Xue's non-flowers and non-mist works faintly contain the meaning of Flowers Mists. From a Western perspective, Ms. Fang Xue's works are full of smooth brushstrokes and sharp colors. The lines and colors evoke the feeling of non-flowers and non-fog, which seems to be a mixture of Eastern and Western sentiment. This state of mix and match, I wonder if it is the universal aesthetic of this era.
A woman is like a flower, feeling like a mist. Enchanting, between right and wrong, another deep heart of the perception are vividly spread out on canvas, and it becomes this part of Ms. Fang Xue's works.
Ms. Fang Xue's works are based on the stone of Western painting techniques, and the manuscript overflows with the meaning of Chinese ink and wash. The blood flowing in the subconscious mind is still full of the genes of Eastern culture. Regardless of the East and the West, oil painting is only a form of art and is far from art. Mature oil painters have accurate modeling, skilled techniques and then the inner feelings directly into the picture into its artists.
乐园 布面油画 2019
Paradise
Oil on canvas
180x165cm
肤色 布面油画 2020
Skin color
Oil on canvas
100x80cm
艺术是人类共同的精神追求。而共同中、共通的述求是思想、情感的表达。方雪女士的作品无疑闪耀着这一光点。勿论是东方女性西方女性，勿论单纯的人体表述或是情节性表达，其作品都映射出女性特有的诱人魅力：山涧中活跃的是女性解脱的欢快；莫名的空间里是女性压抑中的委屈；蓝天下湖上荡舟出女性的怡然；疫情间相拥的是母女的依依；凸起的腹部孕育出将为人母时情绪的复杂；优美的裸露又企图掩饰住女性的娇羞。
无疑，即使方雪女士同时画有其它关于社会关于男性关于小孩的作品，而女性自身的题材、主题，仍是其最多最真切的关注。
文 / 徐亮
Art is the common spiritual pursuit of mankind. And in common, common appeals is the expression of thoughts and emotions. Ms. Fang Xue's work undoubtedly shines with this light. Regardless of Eastern women and Western women, no matter the simple human body expression or plot expression, their works all reflect the unique charm of women: The mountain stream is alive with the joy of female liberation; inexplicable space is the injustice in female repression; boating on the lake under the blue sky is a woman's delight; the embracing of the mother and daughter during the epidemic; the bulging abdomen breeds the complex emotions of being a mother; the graceful nudity attempts to conceal the shyness of women.
Undoubtedly, Even though Ms. Fang Xue has painted other works about the society, men and children, the subjects and themes of women themselves are still her most sincere attention.
Text / Xu Liang
末世劫难 布面油画 2015
In the last disaster
Oil on canvas
160x360cm
归来 布面油画 2009
Come back
Oil on canvas
140x65cm
生生不息 布面油画 2015
Circle of Life
Oil on canvas
150x75cm
圣经记载“属灵的人能看透万事……”，我笃信人在万事万物中始终刻有自然的意志，故在作品里我很想借人的肢体动态、喜怒哀乐，表现出人依恋与生息，试图用色彩和笔触在画布上赋予人物生命、希望、并去升华人物的灵魂，不简单的再现对象，而是在超越表象过程中的塑造对象，在与观者心灵交流和体验里书写生命和灵魂对话。
始终觉得，美好的人之所以美好，并非有如花般的俏颜，因为花总有凋零时，而是因为有一颗纯善的灵魂，有一颗干净的内心，才会有一双清澈的眼睛。一直深信，人最高级的化妆是灵魂的优雅，而灵魂的高贵与美丽必然源自于爱的供养与滋润，而寄放灵魂最安妥最幸福的地方，莫过于在有圣灵的内心。
文/李方雪
The Bible records that "Spiritual people can see through everything...". I believe that people always have a natural will in everything. Therefore, in my works, I really want to borrow people's body movements, emotions, sadness and happiness, to show people's attachment and life, try to use colors and strokes to give life and hope to the characters on the canvas, and to sublimate the soul of the characters. It is not simply to reproduce the object, but to shape the object in the process beyond the representation, and to write the dialogue between life and soul in the communication and experience with the viewer.
I always feel that the reason why a beautiful person is beautiful is not a beautiful face like a flower, because the flower always withers, but because there is a pure soul and a clean heart, there will be a pair of clear eyes. I have always believed that the most advanced makeup of a person is the elegance of the soul, and the nobility and beauty of the soul must be derived from the support and nourishment of love, and the most safe and happy place to put the soul is in the heart of the Holy Spirit.
Text / Li Fangxue
隔离 布面油画 2020
Isolation
Oil on canvas
135x150cm
午夜净身 布面油画 2011
Clean body at midnight
Oil on canvas
110x170cm
《课间点评》是李方雪在油画研究课程班的结业创作，画室里人影绰绰，人物都是寥寥几笔，近乎平面剪影，画面中心是赵培智导师，有趣的是她并没有画出导师明确的五官，只通过导师特有的讲课姿态已达到人物的酷似，据说油画画里教室前后的每一位专注听讲的同学，他们都能通过简洁的外形轮廓，相互认出这是谁谁，也许这是李方雪对人物特征刻画自如的把握，当然也是她多年刻苦修炼出不凡的造型功力。
"Class Break Comments" is Li Fangxue's final creation in the oil painting research course. There are very many figures in the studio. The characters are a few strokes, almost flat silhouettes. The center of the picture is the tutor Zhao Peizhi. What is interesting is that she did not draw the tutor clearly. The facial features have reached the similarity of the characters only through the instructor's unique teaching posture. It is said that every attentive student at the front and back of the classroom in the painting can recognize each other by their simple outline. Perhaps it is Li Fangxue's confidence in the characterization of characters, but also her years of hard training out of uncommon modeling skills.
课间点评 布面油画 2020
Class Break Comments
Oil on canvas
80x180cm
作品里内敛的环境光色，简拙的人物造型，恰到好处的表现出教学相长的研修课堂这一感人瞬间。
文/彭子缙
The introverted ambient light and color in the work, and the characters are simple and clumsy, which perfectly shows the touching moment of teaching and learning class.
Text / Peng Zijin
混沌 布面油画 2010
Chaotic
Oil on canvas
100x80cm
主要展览
2019“向人民汇报”重庆新年美术作品展，重庆美术馆，重庆，中国
2017 重庆第六届美术作品展，当代美术馆，重庆，中国
2017 重庆市妇女书画大展，重庆美术馆，重庆，中国
2017“蜀水润心—2017中国当代女性艺术展”，香迪红馆，成都，中国
2017 中国艺术画坛作品展，LLD画廊，加州，美国
2016 中国女性艺术家巡展，宋庄美术馆，北京，中国
2016 重庆《黄桷游艺》百名画家九龙半岛写生创作展，重庆美术馆，重庆，中国
2016 长沙国际艺术才女油画展，湖南图书馆，长沙，中国
2015“春色满园”中国名家油画邀请展，1964艺术创意园，遵义，中国
2014 中法友好邦交50周年——“蒙娜丽莎的微笑”艺术酒标展，克洛吕斯，法国
2010 保时捷“溢彩心”艺术作品征集展，重庆当代美术馆，重庆，中国
2009 第十一届全国美展”重庆市选送作品展入选第四届重庆美术作品展，重庆美术馆，重庆，中国
2008“喧嚣.沉寂”九人作品展，108艺术空间，重庆，中国
Selected Exhibitions
2019 "Report to the People" Chongqing New Year Art Exhibition, Chongqing Art Museum, Chongqing, China
2017 The 6th Chongqing Art Works Exhibition, Contemporary Art Museum, Chongqing, China
2017 Chongqing Women's Painting and Calligraphy Exhibition, Chongqing Art Museum, Chongqing, China
2017 "Sichuan's Water Moistens the Heart-2017 Chinese Contemporary Female Art Exhibition", Xiangdi Hongguan, Chengdu, China
2017 Chinese Art Painting world Exhibition, LLD Gallery, California, USA
2016 Chinese Female Artists Tour Exhibition, Songzhuang Art Museum, Beijing, China
2016 Chongqing "Huang Jue Amusement Gathering" Sketch Creation Exhibition of One Hundred Painters on the Kowloon Peninsula, Chongqing Art Museum, Chongqing, China
2016 Changsha International Art Talented Girl Oil Painting Exhibition, Hunan Library, Changsha, China
2015 "Spring in the Garden" Invitational Exhibition of Chinese Famous Oil Paintings, 1964 Art and Creative Park, Zunyi, China
2014 50th Anniversary of Sino-French Friendly Diplomatic Relations-"Mona Lisa's Smile" Art Wine Label Exhibition, Clolus, France
2010 Porsche "Colorful Heart" Art Collection Exhibition, Chongqing Contemporary Art Museum, Chongqing, China
2009 The 11th National Art Exhibition "Chongqing Selected Works Exhibition" was selected for the 4th Chongqing Art Works Exhibition, Chongqing Art Museum, Chongqing, China
2008 "Noisy. Silence" Nine Artists Exhibition, 108 Art Space, Chongqing, China